Filia sub tilia nec iners subtilia fila

Anonymous: Kyrie   Gloria   Credo   Sanctus   Agnus Dei Edition:  Martin Just, ed., Der Kodex Berlin 40021 : Staatsbibliothek Preussischer Kulturbesitz Berlin, Mus. ms. 40021, Das Erbe deutscher Musik, 76-78 (Kassel and New York: Bärenreiter, 1990- ), 2: 86-101. The title of the Mass is a variant of a Latin tongue-twister, filia sub tilia nebat [or: nectit] subtilia fila (“beneath the lime tree, the daughter spun [or: binds] the fine threads”). The cantus firmus is subjected to mensural transformation, in the manner made famous by Domarto in Missa Spiritus almus.

Fors seulement
	Jacob Obrecht: Kyrie   Gloria   Credo   Sanctus   Agnus Dei Edition:  Jacob Obrecht, New Obrecht Edition, gen.ed. C. J. Maas, 18 vols. (Utrecht: Vereniging voor Nederlandse Muziekgeschiedenis, 1983-1999), 4: 25-47.
	Johannes Ockeghem: Kyrie   Gloria   Credo Edition: Johannes Ockeghem, Collected Works, ed. Dragan Plamenac, 3 vols. (Philadelphia, Pa.: American Musicological Society, 1947-1992), 2: 65-76.
	Matthaeus Pipelare: Kyrie   Gloria   Credo   Sanctus   Agnus Dei Edition:  Matthaeus Pipelare, Opera Omnia, ed. Ronald Cross, 3 vols., Corpus Mensurabilis Musicae, 34 (American Institute of Musicology, 1966-67), 2: 82-113. The cantus firmus for this Mass was taken, not from Ockeghem’s famous chanson (which served as the model for the Masses by Obrecht and Ockeghem), but from Pipelare’s own four-part setting of Fors seulement.

Fortuna desperata
	Josquin des Prez: Kyrie   Gloria   Credo   Sanctus   Agnus Dei Edition: Josquin des Prez, The Collected Works (“New Josquin Edition”), gen.ed. Willem Elders, 30 vols. (Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 1987- ), 8: 32-69.
	Jacob Obrecht: Kyrie   Gloria   Credo   Sanctus   Agnus Dei Edition:  Jacob Obrecht, New Obrecht Edition, gen.ed. C. J. Maas, 18 vols. (Utrecht: Vereniging voor Nederlandse Muziekgeschiedenis, 1983-1999), 4: 49-91.

Fuit homo missus
	Anonymous: Kyrie   Gloria   Credo   Sanctus   Agnus Dei Edition:  Margaret Bent, ed., Fifteenth-Century Liturgical Music: II. Four Anonymous Masses, Early English Church Music, 22 (London: Stainer and Bell for The British Academy, 1979), 1-34. Earliest datable source: TrentM 93, fols. 133v-135r, 243v-245r, 308v-310r (c.1451-52).

Fulgebunt iusti
	Antoine Brumel (lost): Osanna (excerpt) Excerpt from the top voice of the Osanna from Missa Fulgebunt iusti by Antoine Brumel. Cited in Ludovico Zacconi, Prattica di musica utile (Venice: Bartolomeo Carampello, 1596), fol. 194r (recte 188r).